To My Biker Husband Wherever You Go Ride Safe The Best Is Yet To Be T-Shirt from AmazinkShirt.com
This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: I run like the winded shirt Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on t-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through and Flint-inflected riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks mostly legs-to-there Versace standard mind-melters added extra turbo boost to this high energy Versace outing. “Shine On You Crazy Diamond,” the Pink Floyd track from the Wish You Were Here album, surged, volume up, as Pierpaolo Piccioli ran out to take his bow after his Spring 2020 Valentino menswear show. Completely apt Piccioli really is fashion’s crazy diamond, an authentic modern-day hippie who follows his own instincts, whether they’re deemed fashionable or not, and has thereby charmed and swept everyone along on his trips to wherever. This time, it was to a place in his own head via the psychedelic porthole opened by ’70s prog-rock: “A fantastic journey into yourself, where you can find fantastic landscapes, and you don’t have boundaries,” he said. “When I was a kid, I was there, far from everything, and I want to keep that feeling when creating a collection because then you don’t limit your imagination.” There was a time when suburban boys in bedrooms everywhere would put their prog-rock albums on their record players and stare for hours at the album art, reading the meaning. That was Piccioli, for sure. One of the major delights at this grown-up successful stage of his life is that he can now not just meet his teenage heroes, but collaborate with them. This time he found Roger Dean, album cover artist of the ’70s, and asked him to make a comeback version of his airbrushed acid–sci-fi–impossible landscapes for this collection. Spending and wealth are certainly related and interact but they are still independent variables. They must be accounted for with a model with two degrees of freedom. I believe that all sorts of misunderstandings of macroeconomics have resulted from the attempt to combine wealth and income so that they are one variable with one degree of freedom. I am saying, that in order to describe the economy as it really is, we must have a model where income and wealth are accounted for by two variables, not one. As the awesome all-Prodigy soundtrack and the sometimes spiked and dyed hair on the models indicated, this show was part tribute to that band’s frontman Keith Flint, who died in March. Before this evening’s show, Versace said: “I dedicate this collection to my old friend. He was disruption… and he performed right here the last time he was in Milan.” That was in 2004 when Flint told journalists, “Milan smells of sex and death. I like to bring the ugly to beauty.” Not satisfied—at least in that second sentence with sounding just like Miuccia Prada, he then proceeded to give a pre-show performance in which he simulated oral sex on one un-delighted audience member before licking the face of another. These are more sober times call it the Hadid age at the House of Versace, but while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sports car heaped with flowers made by ongoing Versace collaborator Andy Dixon it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sports car prints, knits, and Lurex, and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets sometimes worn over suiting that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tones Versace print jackets and silk shorts towards the end of it. Further, unlike in microeconomics, in macroeconomics spending does not represent a “depletion of wealth”, just a transfer of ownership of money, where that money still continues to exist in the same amount. In macroeconomics, any change in the level of wealth, including the depletion of wealth, we must account for by a direct accounting of what happens to the amount and type of the wealth. The quantity of the spending, that is the accounting of the total amount of gross spending and gross income is describing only the transfer of ownership of money. And we must keep that accounting on the “income axis”. Whereas the type and amount of changes in the level of wealth is kept track of on the “wealth axis”. Well, that art on souvenir print shirts formed the main plank of what’s certain to be a hit collection. The riffing colors of the Dean print—on a djellaba-like shirt, a purple tree, sky blue; and on a long cagoule, a desert orange, weird outcrops, and purple haze inspired a series of other jungly prints and fantasy embroideries. One jacket had a huge red dragon wrapped around it. The dragon was embroidered onto the back of a hoodie. The great thing about Piccioli’s collection is that you didn’t feel him reaching for “inspiration,” projecting himself onto another generation, or noodling on about the good old days of alternative rock as middle-aged men are wont, given half a chance. The fact is that he’s a down-to-earth modern guy who simply enjoys life and uses his talent to give men of whatever age access to an easy Italian lifestyle aesthetic. There was nothing in the collection one couldn’t imagine him wearing himself, either at Valentino HQ in Rome (the techno-cotton pieces in tobacco, khaki, blue) or in his family life-affirming summer Instagram posts, where he’ll be seen relaxing at the seaside in necklaces and caftans and making them look cool. Escapism in fashion can sometimes lead to dubious and dark places. Not so, with Piccioli, whose positivism is inclusive the diverse casting he’s brought to his women’s shows carried through to men and comes from lived experience. So, yes: shine on, Piccioli. Over the telephone from Los Angeles Ben Taverniti and his wife, Joyce, have a 3-month-old baby to tend to, so fair enough the Unravel designer said that his twin-pole identity as a Paris-raised, California-residing designer is what most shapes his work. For this collection, he was contemplating the common thread of brutalist architecture in both cities. “So I wanted to strip down the collection, to be austere and rough. you know, we are in an environment in fashion today where we are surrounded by so much information, so much social media overload of visual information and in clothing so much is going on on the surface it is like you are almost hiding other issues you might have,” he said. We can see how this operates in the concept Keynes described in what he called the “Paradox of Thrift”. In this macroeconomic concept, Keynes realized that any attempt to increase wealth, cannot occur if spending did not occur. He realized that “not spending” would not change the level of wealth, and would not increase savings. If one reduces investment spending, one would also reduce the savings that is the preservation of investment, by the same amount. Also neither “spending” or “not spending” are responsible for any change in the level of wealth, and therefore “not spending” cannot cause an increase in the net production of wealth. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: Nicefrogtees This product belong to hieu-vu To My Biker Husband Wherever You Go Ride Safe The Best Is Yet To Be T-Shirt from AmazinkShirt.com This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: I run like the winded shirt Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on t-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through and Flint-inflected riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks mostly legs-to-there Versace standard mind-melters added extra turbo boost to this high energy Versace outing. “Shine On You Crazy Diamond,” the Pink Floyd track from the Wish You Were Here album, surged, volume up, as Pierpaolo Piccioli ran out to take his bow after his Spring 2020 Valentino menswear show. Completely apt Piccioli really is fashion’s crazy diamond, an authentic modern-day hippie who follows his own instincts, whether they’re deemed fashionable or not, and has thereby charmed and swept everyone along on his trips to wherever. This time, it was to a place in his own head via the psychedelic porthole opened by ’70s prog-rock: “A fantastic journey into yourself, where you can find fantastic landscapes, and you don’t have boundaries,” he said. “When I was a kid, I was there, far from everything, and I want to keep that feeling when creating a collection because then you don’t limit your imagination.” There was a time when suburban boys in bedrooms everywhere would put their prog-rock albums on their record players and stare for hours at the album art, reading the meaning. That was Piccioli, for sure. One of the major delights at this grown-up successful stage of his life is that he can now not just meet his teenage heroes, but collaborate with them. This time he found Roger Dean, album cover artist of the ’70s, and asked him to make a comeback version of his airbrushed acid–sci-fi–impossible landscapes for this collection. Spending and wealth are certainly related and interact but they are still independent variables. They must be accounted for with a model with two degrees of freedom. I believe that all sorts of misunderstandings of macroeconomics have resulted from the attempt to combine wealth and income so that they are one variable with one degree of freedom. I am saying, that in order to describe the economy as it really is, we must have a model where income and wealth are accounted for by two variables, not one. As the awesome all-Prodigy soundtrack and the sometimes spiked and dyed hair on the models indicated, this show was part tribute to that band’s frontman Keith Flint, who died in March. Before this evening’s show, Versace said: “I dedicate this collection to my old friend. He was disruption… and he performed right here the last time he was in Milan.” That was in 2004 when Flint told journalists, “Milan smells of sex and death. I like to bring the ugly to beauty.” Not satisfied—at least in that second sentence with sounding just like Miuccia Prada, he then proceeded to give a pre-show performance in which he simulated oral sex on one un-delighted audience member before licking the face of another. These are more sober times call it the Hadid age at the House of Versace, but while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sports car heaped with flowers made by ongoing Versace collaborator Andy Dixon it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sports car prints, knits, and Lurex, and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets sometimes worn over suiting that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tones Versace print jackets and silk shorts towards the end of it. Further, unlike in microeconomics, in macroeconomics spending does not represent a “depletion of wealth”, just a transfer of ownership of money, where that money still continues to exist in the same amount. In macroeconomics, any change in the level of wealth, including the depletion of wealth, we must account for by a direct accounting of what happens to the amount and type of the wealth. The quantity of the spending, that is the accounting of the total amount of gross spending and gross income is describing only the transfer of ownership of money. And we must keep that accounting on the “income axis”. Whereas the type and amount of changes in the level of wealth is kept track of on the “wealth axis”. Well, that art on souvenir print shirts formed the main plank of what’s certain to be a hit collection. The riffing colors of the Dean print—on a djellaba-like shirt, a purple tree, sky blue; and on a long cagoule, a desert orange, weird outcrops, and purple haze inspired a series of other jungly prints and fantasy embroideries. One jacket had a huge red dragon wrapped around it. The dragon was embroidered onto the back of a hoodie. The great thing about Piccioli’s collection is that you didn’t feel him reaching for “inspiration,” projecting himself onto another generation, or noodling on about the good old days of alternative rock as middle-aged men are wont, given half a chance. The fact is that he’s a down-to-earth modern guy who simply enjoys life and uses his talent to give men of whatever age access to an easy Italian lifestyle aesthetic. There was nothing in the collection one couldn’t imagine him wearing himself, either at Valentino HQ in Rome (the techno-cotton pieces in tobacco, khaki, blue) or in his family life-affirming summer Instagram posts, where he’ll be seen relaxing at the seaside in necklaces and caftans and making them look cool. Escapism in fashion can sometimes lead to dubious and dark places. Not so, with Piccioli, whose positivism is inclusive the diverse casting he’s brought to his women’s shows carried through to men and comes from lived experience. So, yes: shine on, Piccioli. Over the telephone from Los Angeles Ben Taverniti and his wife, Joyce, have a 3-month-old baby to tend to, so fair enough the Unravel designer said that his twin-pole identity as a Paris-raised, California-residing designer is what most shapes his work. For this collection, he was contemplating the common thread of brutalist architecture in both cities. “So I wanted to strip down the collection, to be austere and rough. you know, we are in an environment in fashion today where we are surrounded by so much information, so much social media overload of visual information and in clothing so much is going on on the surface it is like you are almost hiding other issues you might have,” he said. We can see how this operates in the concept Keynes described in what he called the “Paradox of Thrift”. In this macroeconomic concept, Keynes realized that any attempt to increase wealth, cannot occur if spending did not occur. He realized that “not spending” would not change the level of wealth, and would not increase savings. If one reduces investment spending, one would also reduce the savings that is the preservation of investment, by the same amount. Also neither “spending” or “not spending” are responsible for any change in the level of wealth, and therefore “not spending” cannot cause an increase in the net production of wealth. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: Nicefrogtees This product belong to hieu-vu
This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: I run like the winded shirt Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on t-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through and Flint-inflected riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks mostly legs-to-there Versace standard mind-melters added extra turbo boost to this high energy Versace outing. “Shine On You Crazy Diamond,” the Pink Floyd track from the Wish You Were Here album, surged, volume up, as Pierpaolo Piccioli ran out to take his bow after his Spring 2020 Valentino menswear show. Completely apt Piccioli really is fashion’s crazy diamond, an authentic modern-day hippie who follows his own instincts, whether they’re deemed fashionable or not, and has thereby charmed and swept everyone along on his trips to wherever. This time, it was to a place in his own head via the psychedelic porthole opened by ’70s prog-rock: “A fantastic journey into yourself, where you can find fantastic landscapes, and you don’t have boundaries,” he said. “When I was a kid, I was there, far from everything, and I want to keep that feeling when creating a collection because then you don’t limit your imagination.” There was a time when suburban boys in bedrooms everywhere would put their prog-rock albums on their record players and stare for hours at the album art, reading the meaning. That was Piccioli, for sure. One of the major delights at this grown-up successful stage of his life is that he can now not just meet his teenage heroes, but collaborate with them. This time he found Roger Dean, album cover artist of the ’70s, and asked him to make a comeback version of his airbrushed acid–sci-fi–impossible landscapes for this collection. Spending and wealth are certainly related and interact but they are still independent variables. They must be accounted for with a model with two degrees of freedom. I believe that all sorts of misunderstandings of macroeconomics have resulted from the attempt to combine wealth and income so that they are one variable with one degree of freedom. I am saying, that in order to describe the economy as it really is, we must have a model where income and wealth are accounted for by two variables, not one. As the awesome all-Prodigy soundtrack and the sometimes spiked and dyed hair on the models indicated, this show was part tribute to that band’s frontman Keith Flint, who died in March. Before this evening’s show, Versace said: “I dedicate this collection to my old friend. He was disruption… and he performed right here the last time he was in Milan.” That was in 2004 when Flint told journalists, “Milan smells of sex and death. I like to bring the ugly to beauty.” Not satisfied—at least in that second sentence with sounding just like Miuccia Prada, he then proceeded to give a pre-show performance in which he simulated oral sex on one un-delighted audience member before licking the face of another. These are more sober times call it the Hadid age at the House of Versace, but while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sports car heaped with flowers made by ongoing Versace collaborator Andy Dixon it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sports car prints, knits, and Lurex, and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets sometimes worn over suiting that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tones Versace print jackets and silk shorts towards the end of it. Further, unlike in microeconomics, in macroeconomics spending does not represent a “depletion of wealth”, just a transfer of ownership of money, where that money still continues to exist in the same amount. In macroeconomics, any change in the level of wealth, including the depletion of wealth, we must account for by a direct accounting of what happens to the amount and type of the wealth. The quantity of the spending, that is the accounting of the total amount of gross spending and gross income is describing only the transfer of ownership of money. And we must keep that accounting on the “income axis”. Whereas the type and amount of changes in the level of wealth is kept track of on the “wealth axis”. Well, that art on souvenir print shirts formed the main plank of what’s certain to be a hit collection. The riffing colors of the Dean print—on a djellaba-like shirt, a purple tree, sky blue; and on a long cagoule, a desert orange, weird outcrops, and purple haze inspired a series of other jungly prints and fantasy embroideries. One jacket had a huge red dragon wrapped around it. The dragon was embroidered onto the back of a hoodie. The great thing about Piccioli’s collection is that you didn’t feel him reaching for “inspiration,” projecting himself onto another generation, or noodling on about the good old days of alternative rock as middle-aged men are wont, given half a chance. The fact is that he’s a down-to-earth modern guy who simply enjoys life and uses his talent to give men of whatever age access to an easy Italian lifestyle aesthetic. There was nothing in the collection one couldn’t imagine him wearing himself, either at Valentino HQ in Rome (the techno-cotton pieces in tobacco, khaki, blue) or in his family life-affirming summer Instagram posts, where he’ll be seen relaxing at the seaside in necklaces and caftans and making them look cool. Escapism in fashion can sometimes lead to dubious and dark places. Not so, with Piccioli, whose positivism is inclusive the diverse casting he’s brought to his women’s shows carried through to men and comes from lived experience. So, yes: shine on, Piccioli. Over the telephone from Los Angeles Ben Taverniti and his wife, Joyce, have a 3-month-old baby to tend to, so fair enough the Unravel designer said that his twin-pole identity as a Paris-raised, California-residing designer is what most shapes his work. For this collection, he was contemplating the common thread of brutalist architecture in both cities. “So I wanted to strip down the collection, to be austere and rough. you know, we are in an environment in fashion today where we are surrounded by so much information, so much social media overload of visual information and in clothing so much is going on on the surface it is like you are almost hiding other issues you might have,” he said. We can see how this operates in the concept Keynes described in what he called the “Paradox of Thrift”. In this macroeconomic concept, Keynes realized that any attempt to increase wealth, cannot occur if spending did not occur. He realized that “not spending” would not change the level of wealth, and would not increase savings. If one reduces investment spending, one would also reduce the savings that is the preservation of investment, by the same amount. Also neither “spending” or “not spending” are responsible for any change in the level of wealth, and therefore “not spending” cannot cause an increase in the net production of wealth. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: Nicefrogtees This product belong to hieu-vu To My Biker Husband Wherever You Go Ride Safe The Best Is Yet To Be T-Shirt from AmazinkShirt.com This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: I run like the winded shirt Another lavishly classical Versace touch was the amphora prints and Lurex knits. Printed vintage Versace fragrance ads on t-shirts and denim were yet another archival flourish. There was a fun, provocative sensuality in the slightly kicky jersey pants worn below tailoring which came in black or leopard print and floral versions in vertical rib-knit, and a carefully thought through and Flint-inflected riff on post-punk in workwear pieces that smashed check against denim. The complementary women’s looks mostly legs-to-there Versace standard mind-melters added extra turbo boost to this high energy Versace outing. “Shine On You Crazy Diamond,” the Pink Floyd track from the Wish You Were Here album, surged, volume up, as Pierpaolo Piccioli ran out to take his bow after his Spring 2020 Valentino menswear show. Completely apt Piccioli really is fashion’s crazy diamond, an authentic modern-day hippie who follows his own instincts, whether they’re deemed fashionable or not, and has thereby charmed and swept everyone along on his trips to wherever. This time, it was to a place in his own head via the psychedelic porthole opened by ’70s prog-rock: “A fantastic journey into yourself, where you can find fantastic landscapes, and you don’t have boundaries,” he said. “When I was a kid, I was there, far from everything, and I want to keep that feeling when creating a collection because then you don’t limit your imagination.” There was a time when suburban boys in bedrooms everywhere would put their prog-rock albums on their record players and stare for hours at the album art, reading the meaning. That was Piccioli, for sure. One of the major delights at this grown-up successful stage of his life is that he can now not just meet his teenage heroes, but collaborate with them. This time he found Roger Dean, album cover artist of the ’70s, and asked him to make a comeback version of his airbrushed acid–sci-fi–impossible landscapes for this collection. Spending and wealth are certainly related and interact but they are still independent variables. They must be accounted for with a model with two degrees of freedom. I believe that all sorts of misunderstandings of macroeconomics have resulted from the attempt to combine wealth and income so that they are one variable with one degree of freedom. I am saying, that in order to describe the economy as it really is, we must have a model where income and wealth are accounted for by two variables, not one. As the awesome all-Prodigy soundtrack and the sometimes spiked and dyed hair on the models indicated, this show was part tribute to that band’s frontman Keith Flint, who died in March. Before this evening’s show, Versace said: “I dedicate this collection to my old friend. He was disruption… and he performed right here the last time he was in Milan.” That was in 2004 when Flint told journalists, “Milan smells of sex and death. I like to bring the ugly to beauty.” Not satisfied—at least in that second sentence with sounding just like Miuccia Prada, he then proceeded to give a pre-show performance in which he simulated oral sex on one un-delighted audience member before licking the face of another. These are more sober times call it the Hadid age at the House of Versace, but while there may be less simulated sex on the runway, the upside is that there are arguably more really good clothes. The centerpiece of tonight’s Via Gesu show was a blackened sports car heaped with flowers made by ongoing Versace collaborator Andy Dixon it was a little hearse meets roadside shrine, and unsettling. This was a nod to the sports car prints, knits, and Lurex, and stud-defined shirting and pants that featured at the back end of the collection. Versace went so big on cars because, she said, “when a man becomes a man the first thing he wants is a car.” This also seemed a quiet aside to the memory of when her brother Gianni, then aged 19, convinced Donatella, then aged 11, to dye her hair blonde for the first time (which it has forever remained) before sneaking off to a Patty Pravo concert in a car stolen from their parents which broke down and was lost forever en route. This potential for willfully wild acts amidst boys just stepping into their manhood was reflected in the oversized suiting and fringed biker jackets sometimes worn over suiting that featured at the start of the show. The volumized silhouette ran through to a series of lip-smackingly tart acid tones Versace print jackets and silk shorts towards the end of it. Further, unlike in microeconomics, in macroeconomics spending does not represent a “depletion of wealth”, just a transfer of ownership of money, where that money still continues to exist in the same amount. In macroeconomics, any change in the level of wealth, including the depletion of wealth, we must account for by a direct accounting of what happens to the amount and type of the wealth. The quantity of the spending, that is the accounting of the total amount of gross spending and gross income is describing only the transfer of ownership of money. And we must keep that accounting on the “income axis”. Whereas the type and amount of changes in the level of wealth is kept track of on the “wealth axis”. Well, that art on souvenir print shirts formed the main plank of what’s certain to be a hit collection. The riffing colors of the Dean print—on a djellaba-like shirt, a purple tree, sky blue; and on a long cagoule, a desert orange, weird outcrops, and purple haze inspired a series of other jungly prints and fantasy embroideries. One jacket had a huge red dragon wrapped around it. The dragon was embroidered onto the back of a hoodie. The great thing about Piccioli’s collection is that you didn’t feel him reaching for “inspiration,” projecting himself onto another generation, or noodling on about the good old days of alternative rock as middle-aged men are wont, given half a chance. The fact is that he’s a down-to-earth modern guy who simply enjoys life and uses his talent to give men of whatever age access to an easy Italian lifestyle aesthetic. There was nothing in the collection one couldn’t imagine him wearing himself, either at Valentino HQ in Rome (the techno-cotton pieces in tobacco, khaki, blue) or in his family life-affirming summer Instagram posts, where he’ll be seen relaxing at the seaside in necklaces and caftans and making them look cool. Escapism in fashion can sometimes lead to dubious and dark places. Not so, with Piccioli, whose positivism is inclusive the diverse casting he’s brought to his women’s shows carried through to men and comes from lived experience. So, yes: shine on, Piccioli. Over the telephone from Los Angeles Ben Taverniti and his wife, Joyce, have a 3-month-old baby to tend to, so fair enough the Unravel designer said that his twin-pole identity as a Paris-raised, California-residing designer is what most shapes his work. For this collection, he was contemplating the common thread of brutalist architecture in both cities. “So I wanted to strip down the collection, to be austere and rough. you know, we are in an environment in fashion today where we are surrounded by so much information, so much social media overload of visual information and in clothing so much is going on on the surface it is like you are almost hiding other issues you might have,” he said. We can see how this operates in the concept Keynes described in what he called the “Paradox of Thrift”. In this macroeconomic concept, Keynes realized that any attempt to increase wealth, cannot occur if spending did not occur. He realized that “not spending” would not change the level of wealth, and would not increase savings. If one reduces investment spending, one would also reduce the savings that is the preservation of investment, by the same amount. Also neither “spending” or “not spending” are responsible for any change in the level of wealth, and therefore “not spending” cannot cause an increase in the net production of wealth. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. 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